?squalor

squalor發(fā)音

英：[?skw?l?(r)]　　美：[?skwɑl?]

英：　　美：

squalor中文意思翻譯

n.骯臟, 不干凈

squalor常見例句

1 、If you want to find the key, you will have to crawl through the same squalor that your customers have.───如果你想找到鑰匙，你必須像你的客戶一樣爬過同樣骯臟的地方。

2 、In fact, behind the vanity is not the squalor.───其實浮華背后就是看不到的骯臟。

3 、Officers arrested a couple, whom they described in a statement as the estate's caretakers, living in squalor in one of the chateau's outbuildings.───員警逮捕到一對情侶，他們在聲明中形容，這對情侶是這間莊園的看守人，住在莊園其中一棟臟亂不堪的附屬建物里。

4 、The few street-lamps shed down squalor.───大街上為數(shù)不多的路燈投下了昏暗的燈光。

5 、Perhaps you lived in squalor at some point?───也許你曾在環(huán)境骯臟處工作過？

6 、the omnipresent squalor, dread───普遍存在的污穢、 恐懼.

7 、"fails to achieve a transcendent significance in suffering and squalor" (National Review)───“無法從痛苦和卑劣之中獲得一種超然的意義”(國內(nèi)評論)

8 、the poverty and squalor of the slums───貧民窟的貧窮和骯臟

9 、It leads to a situation of private affluence accompanied by public squalor───這導(dǎo)致在私人致富的同時出現(xiàn)國家貧困的狀況。

10 、Their squalor and wretchedness have sickened me.───他們的骯臟和卑鄙已經(jīng)使我惡心。

11 、Things rolled along this way peacefully for about a month or more.The neighborhood appealed to me, particularly at night when the full squalor and lugubriousness of it made itself felt.───朦朧中那么迷人、那么安靜的小廣場在黑暗降臨后竟會顯出最陰沉、最險惡的特性。

12 、When you spend the greater part of your working life amongst squalor and foul language, you tend to become hard - boiled.───如果勞動生活大部分是在骯臟下流話環(huán)境中度過的，人就會變得沒有美好情感。

13 、Town Hall helps maintain law and order, as well as reduce squalor.───城鎮(zhèn)公所維護(hù)城邑法律和秩序，同時減少城邑臟亂程度。

14 、Despite its squalor, Trenchtown proved a fertile breeding ground for music.───然而，壕溝城貧民窟的臟亂窮困卻成為音樂創(chuàng)作的肥沃土壤。

15 、"Chatham" tells the story of three retired sea captains -- Zebulon "Zeb" Hedge (Carradine), Perez Ryder (Dern), and Jeremiah "Jerry" Burgess (Torn) -- living together in genteel squalor.───故事講的是三個退休的老海軍打了一個賭。

16 、City Hall does much to maintain law and order, as well as reduce urban squalor.───市政大廳維護(hù)城邑法律和秩序，同時減少城邑臟亂程度。

17 、It's disheartening to think they'd live in squalor like this.─── 想到他們都住在這種窯洞 真是讓人心酸

18 、Some of them, it is true, are caught, in apathetic squalor, in smalltown brutality, in meaningless blood-feuds, or(like Jim)in Negro slavery───誠然，其中有些人物擺脫不開冷酷無情的貧窮，小城的殘忍，毫無意義的毆斗，或者(像吉姆)作為奴隸的束縛。

19 、It was a mixture of squalor and magnificence───它是骯臟破舊和壯麗豪華的混合體。

20 、The filth and squalor of the family's home took us aback.───那一家的屋子里的污穢骯臟，簡直把我們嚇了一跳。

21 、The hard drugs that some of the affluent young take to bring on a "high" seem in the end to produce squalor, suicides and other tragedies.───那些有錢的年輕人用來服用以使他們的精神到達(dá)極端高潮的藥物最終導(dǎo)致的卻是污穢、自殺和其他的悲劇。

22 、The children still live in squalor.───孩子們?nèi)栽隗a臟的環(huán)境中生活。

23 、What troubled him was the squalor of [ the colonel's ] aesthetic(Lewis H.Lapham)───使他苦惱的是[上校]審美觀的低下劉易斯H.拉伯姆)

24 、Underdevelopment is chocking: the squalor, disease, unnecessary deaths, and hopelessness of it all!───不發(fā)達(dá)是駭人聽聞的，這就是骯臟、疾

25 、Some of them, it is true, are caught, in apathetic squalor, in small-town brutality, in meaningless blood-feuds, or(like Jim)in Negro slavery.───誠然，其中有些人物擺脫不開冷酷無情的貧窮，小城的殘忍，毫無意義的毆斗，或者（像吉姆）作為奴隸的束縛。

26 、Having joined the global labour force, hundreds of millions of people in developing countries have won the chance to escape squalor and poverty.Hundreds of millions more stand to join them.───通過融入全球勞動力市場，發(fā)展中國家的數(shù)百萬人擺脫了貧困，還有越來越多的人即將脫貧。

27 、He was born in squalor next to London's docks.───他出生在倫敦碼頭附近骯臟的地區(qū)。

28 、Mumbai's sex industry caters to millions of poor men, and its squalor and joylessness are all too evident.───孟買的性產(chǎn)業(yè)主要是為數(shù)百萬貧窮的男子提供服務(wù)，其骯臟和悲哀氣氛顯而易見。

29 、a beautiful garden amid the squalor of the slums───位于骯臟的貧民窟中的美麗花園

30 、I prefer stories about squalor───我喜歡看凄慘的故事。

31 、But, no, all you lot choose squalor.─── 不 你們卻偏要自甘墮落

32 、They live amid reek and squalor.───他們生活在臭氣熏天的污濁環(huán)境中。

33 、"What troubled him was the squalor of[the colonel's] aesthetic" (Lewis H. Lapham)───“使他苦惱的是[上校]審美觀的低下” (劉易斯H.拉伯姆)

34 、The beach used to be an escape from the heat and squalor of the alleyways of Khan Younis.───海灘被當(dāng)作逃離汗尤尼斯炎熱和骯臟的通道。

35 、Rather than those living in what Brown describes as “medieval squalor” looking up hopefully, those slightly ahead will be looking down nervously.───這類人群的主要特征是收入比較高，有一定的社會地位，同時又非常在乎一個面子問題。

36 、Master Ikoner's Studio reduces squalor, and amplifies the effects of Orthodox churches.───圣跡畫院能夠降低城邑臟亂，并增加?xùn)|正教堂的宗教感召力。

37 、fails to achieve a transcendent significance in suffering and squalor(bNational Review)───無法從痛苦和卑劣之中獲得一種超然的意義(b國內(nèi)評論)

38 、In those days,nurses were little more than janitors 3),and hospitals were pits of squalor and neglect.───當(dāng)時，護(hù)士的地位比看門人高不了多少，而醫(yī)院又是骯臟不堪無人關(guān)懷的地方。

39 、There is indescribable squalor in those books.───那些書簡直污穢不堪。

40 、The squalor and the mud and the awful, awful misery of it all.─── 悲慘的泥淖 一切都那么糟糕而痛苦

41 、Modern urban planning and redevelopment arose in response to the disorder and squalor of the slums created by the Industrial Revolution.───工業(yè)革命所形成的貧民區(qū)臟亂現(xiàn)象,引發(fā)了現(xiàn)代的城市規(guī)畫和改建運(yùn)動。

42 、What troubled him was the squalor of[ the colonel's ]aesthetic&b{Lewis H.Lapham)───使他苦惱的是[上校]審美觀的低下劉易斯H.拉伯姆})

43 、So it was said that the American people were living in a condition of ‘private opulence and public squalor,’ in a vivid and influential phrase of J.K.Galbraith's.───因此加爾布雷鮮明生動并影響深遠(yuǎn)地一語道破：美國人的生活狀況是“廟破和尚闊”。

44 、There is an innate raciness to this place, tinged with fun, squalor, a sense of tolerance and a hint of excitement.───這個地方有一種天生的活力，有趣，有點(diǎn)兒臟，存在一種容忍的意識和一點(diǎn)兒興奮的感覺。

45 、Goldberg： I like it here, there is a kind of, I don't know, ancestral squalor to it all.───歌德堡：我喜歡這里，有一種莫名的祖?zhèn)鞅瘧K性。

46 、adversity, arid, barren, destitute, impoverished, indigent, meager, paucity, pauper, penury, privation, scanty, squalor.───表“ 貧窮、貧乏” 之意:

47 、Teeth, complexions and clothes all evoke the prosperous Poland of today more than the squalor and hunger of 1945.───牙齒、膚色和著裝，一切都令人想起今日波蘭的繁榮，而非1945年的貧窮與饑餓。

48 、Squalor and poverty lay behind the city's glittering facade.───這城市表面繁華,背后卻骯臟和貧困。

49 、A city of love and warmth, sorrow and despair, dreams and hopes, poverty and squalor, grandeur and glory.───(加爾各答是一個充滿著愛和溫暖、辛酸與絕望、夢想與希望、平窮與骯臟、偉大與光榮的城市，它是印度西孟加拉邦首府。

50 、They rolled through the squalor of the village side street and turned onto the central high way───他們的車子穿過村子后街那些臟地段轉(zhuǎn)入中央大道。

51 、Beijing's call on foreigners to get a look at Chinese farmers living in squalor is also a sign of China's growing self-assurance.───北京開放廣大的農(nóng)村讓外國人參訪，也顯示中國與日俱增的自信。

52 、Instead, scattered villages within cities, often behind walls built to hide their squalor, and old state-owned apartment buildings have filled the gap.───分散在城市中的村莊（通常建在墻后來遮掩市區(qū)中骯臟的角落）和歸國家所有的老住宅樓反而填補(bǔ)了這個缺口。

53 、I've been stuck in thisphew dystopian squalor forfor a year now.─── 我已經(jīng)困在這個 爛地方有一年了

54 、but in reality, he was soiling himself in the squalor and degradation of our captivity,───但事實上，因為我們幾個被劫持，陷入如此窘迫和骯臟的環(huán)境中，他于是也陷于泥淖。

55 、People prefer urban squalor to rural hopelessness.───城市的貧窮,農(nóng)村的絕望。人們更喜歡前者。

56 、He had lost his job and was living in squalor.───他丟了工作，過得很糟糕。

57 、But only the rich benefited.Most Romans, and many city-dwellers throughout history, lived in squalor, and many died of it.───但這只使富人受益，大部分羅馬人和歷史長河中多數(shù)城市居民在骯臟貧困中生活直至病死于此。

58 、I'm gratified to see you looking so healthy in such squalor.─── 我很高興看到你在這么邋遢之地如此健康

59 、What troubled him was the squalor of I [ the colonel's ] aesthetic(bLewis H.Lapham)───使他苦惱的是I[上校]審美觀的低下劉易斯H.拉伯姆)

60 、Yet so wasted has this windfall been that most Nigerians continue to live in squalor and poverty.───然而，此般橫財?shù)拇蠖葥]霍仍使得大多數(shù)的尼日利亞人繼續(xù)過著悲慘貧窮的生活。

61 、Six kids living in squalor, no parental supervision.─── 六個孩子擠在一個又臟又爛的房子里 沒有父母監(jiān)管

62 、Who chooses to live in this squalor, rather than among his own people.───你選擇骯臟的生存而背棄了自己的人民。

63 、People have quietly returned to the squalor and inflation that brought them to the streets in protest.───民眾悄悄回到當(dāng)初激勵他們走上街頭抗?fàn)幍捏a臟惡劣生活與通貨膨脹。

64 、An Ikoner's Studio reduces squalor, and amplifies the effects of Orthodox churches.───圣跡畫室能夠降低城邑臟亂，并增加?xùn)|正教堂的宗教感召力。

65 、fails to achieve a transcendent significance in suffering and squalor(National Review)───無法從痛苦和卑劣之中獲得一種超然的意義(國內(nèi)評論)

66 、Most Romans, and many city-dwellers throughout history, lived in squalor, and many died of it.───歷史上，多數(shù)羅馬人及許多城市居民居住在貧困骯臟的地方，許多人因此而病死。

67 、You know, you don't have to live in squalor and chaos to make great art.─── 并不是非要 過著混亂邋遢的生活 才能創(chuàng)造偉大的藝術(shù)

68 、They were forced to endure living conditions of unbelievable squalor.───他們被迫承受難以置信的貧困而骯臟的生活中。

69 、The choice, for many, is going hungry in the countryside or finding a job while living in squalor in the towns.───而對許多人而言，擺在他們面前的選擇要么是在農(nóng)村過著挨餓的生活，要么就是住在城鎮(zhèn)骯臟的角落并到處尋求工作。

70 、I thought living in squalor was a lifestyle choice.─── 我還以為你們家人一定要守在一起呢

71 、back-allcy squalor───窮街陋巷的卑賤

72 、Between a world which condemns a quarter of the human race to starvation and squalor, and one which offers everyone at least a chance of prosperity，in a healthy environment.───我們要使世界四分之一的人處于饑餓境地和惡劣環(huán)境，還是至少向每個人提供致富的機(jī)會和健康的環(huán)境？

73 、It may conjure up images of dirt, squalor and plague, but the middle ages also created a society that was, remarkably, anti-capitalist.───中世紀(jì)或許不由得會令人在腦海中產(chǎn)生骯臟、貧窮及瘟疫的印象，但值得注意的是，中世紀(jì)也創(chuàng)設(shè)了一個反資本主義的社會。

74 、The miles of grey squalor she had travelled through were now the hazy and luminous city───她走過的綿延幾英里長的灰蒙蒙的骯臟的建筑物現(xiàn)在變成了一座朦朧中燈火輝煌的城市。

75 、Council Chambers help to maintain law and order, as well as reduce squalor.───議員會堂維護(hù)城邑法律和秩序，同時減少城邑臟亂程度。

76 、British artist whose satirical paintings attacked the contradiction of luxury and squalor in society.───荷加斯，威廉1697－1764英國藝術(shù)家，他的諷刺畫批評了當(dāng)時社會上奢侈和貧窮之間的強(qiáng)烈反差。

77 、Close to the main square in Oran, the country's second city, families live in Dickensian squalor in decrepit blocks of flats dating from before independence in 1962.───在距離阿爾及利亞第二大城市奧蘭的主廣場不遠(yuǎn)處，居民們的生活就像狄更斯所描述的那樣悲慘，他們居住的破舊公寓可以追溯至1962年阿爾及利亞獨(dú)立前。

78 、You seldom see trash or squalor.───你幾乎看不到垃圾和臟亂。

79 、You live in squalor. I am the only one left who knows you.─── 你生活在泥濘中 只有我了解你

80 、Now, you might be content to live in squalor. I'm not.─── 或許你愿意住在這種廢墟里 但我不會

81 、A place of extreme wretchedness or squalor.───極端凄慘的地方或極度骯臟不堪的地方

82 、He captures the way Russians are transformed by toasts, the romance of long-distance train rides and the squalor of train stations.───這句很奇怪，我理解是“他描繪了俄羅斯人生活正被烤面包、乘火車長途旅行中的艷遇和破爛的火車站所改變。”

83 、An inconspicuous urban underclass lives in squalor.───在這個骯臟破敗的地方居住著不為人注意的城市下層階級。

84 、Disease often goes with squalor, but it is wrong to say that crime always goes with poverty───疾病通常因不潔而引起，但如果說罪惡總是因貧窮而產(chǎn)生則是不對的。

85 、Squalor and poverty lay behind the city's glittering facade───這城市表面繁華,背後卻骯臟和貧困

86 、live in abject squalor───住在骯臟凄慘的環(huán)境中.

87 、The price you pay is that you must crawl into the same pit of squalor you force your customers into.───你要付出的代價是:我要你鉆進(jìn)這個骯臟的黑心陷阱,就跟你以往坑害那些吸毒者一樣.

88 、the squalor of the slums───貧民窟的污穢狀況

89 、So strangely clouded were these refinements by the prison manners and gloom, so spectral did they become in the inappropriate squalor and misery through which they were seen, that Charles Darnay seemed to stand in a company of the dead.───監(jiān)獄的幽暗和監(jiān)獄的行為奇怪地籠罩了人們優(yōu)雅的動作，使它在與之不相稱的骯臟和痛苦的環(huán)境中顯得不像在人間。 查爾斯 - 達(dá)爾內(nèi)仿佛進(jìn)入了死人的行列。

90 、live like a pig, in squalor.───像豬一樣，在臟亂中。

有誰有Thomas Stearns Eliot這首詩（Morning at the Window）的英文具體分析（韻律、意境之類的）。很急

1. British poet (born in the United States) who won the Nobel prize for literature; his plays are outstanding examples of modern verse drama (1888-1965)

(synonym) Eliot , T. S. Eliot

(hypernym) poet

有誰有Thomas Stearns Eliot這首詩（Morning at the Window）的英文具體分析（韻律、意境之類的）。很急

Morning at the Window is an imagist poem that presents an image of poverty. The picture is that of a slum where people lead miserable lives. The speaker is at the window. He may be a visitor of a certain house in the area where poor people live. The images that come to his eyes are 'object correlatives' or objects corresponding certain ideas and emotions in the poet's and the reader's mind.

The images in the poem correlate with the idea of poverty and feelings of sympathy. But the poem only presents them just the objective image, rather than romantically expressing his feelings and emotions. There is also a balance between feelings and ideas in the sense that the image arouses not only feelings in the reader but also provokes thoughts and ideas.

The poem is a set of striking images of poverty; the poet says nothing but shows them. The poor people are rattling (making sound) breakfast plates early in the morning. It is an obligation for poor people to go to work early and work till late. Sun or shower, frost or fog, they have to set out early. The image brings to mind similar images of poverty. The speaker says that he is aware of the condition of the households' minds and souls, or their psychology. He doesn't describe that. Such housemaids are appearing one after another at the city gate. Maybe they come from villages. They have no identity, dignity and meaningful life. They are 'despondent', or extremely sad.

The speaker seems to go along, or else look further away waves of "brown" fog which come up to him. This is perhaps because the city air is so polluted. Twisted faces of depressed people pass by. A passerby has tears in the eyes. The speaker takes another glance and sees her dirty skirt. Another person comes up and tries to smile, but fails. The smile vanishes among the city roofs. All these disjointed images can be put together to build up a general picture of the poor people's plight. The focus is on poor servant girls whose souls themselves are "damp" (moist and dirt). The poet evokes our emotion without telling his emotions. He arouses pity without telling his pity for the people.

Eliot asserted that poetry must present 'objective correlatives' or objects and events that will correspond to certain emotions in the reader's experience. The poet need not express his personal emotion. This idea of poetry is anti-romantic. For instance, when we encounter objective images of poverty, we understand it. The image of a child on top of a burning house would need no explanation!

Eliot also strongly suggested that poetry must balance intellect, (thought) and emotion (feeling). The feelings of the individual poet must become a matter of thought for everyone in the poem. This balance is called 'unified sensibility'. The present poem presents only objective correlatives of poverty; the poet doesn't describe his feelings put presents objects that correlate or correspond to sympathy towards the poor. He balances the underlying feelings of pathos (pity) with a thoughtful mind and serous art. Eliot shows how personal emotion can be transformed into a universal thought-provoking image. Eliot also presents things as his impressions recorded them. The twisted face, the aimless smile, the eyes with tears, the muddy skirts are fragments of his impressions. The poet presents in the same way that these things made the impression on him. In this sense, the poem is impressionistic.

We can also call the whole set of images in the poem a symbol. The imagery is familiar and vivid. It can be said to symbolize poverty. The objective presentation of images makes the poem an imagist poem. It's symbolic meaning and impressionistic viewpoint are also other important features of the poem. In short, such a presentation is unique, that makes the poem memorable and unique though the subject matter of poverty is very common.

The theme of the poem "Morning at the Window" is poverty. The poem presents a very human picture of poor people in the city slum. The poem presents a set of typical images that suggest poverty, depression, misery and squalor in the slums (poor and dirty areas of the cities) where the poor live. The poet also mentions the state of the souls of the housemaids. So the poem thematically includes the issues of poverty, depression and squalor in the lives of poor people in the city.

Perhaps more terrible than poverty is the problem of depression and distress with which the poor people in the pace live their lives. The damp souls of housemaids, the twisted face of a passerby, the tears in the eyes of a girl who is also wearing a muddy skirt, and the aimless smile of a person who tries and fails to smile are all indicators of sadness and frustration as well as poverty. Poor people can sometimes be happy, as in tribal villages. But here the problem of unhappiness seems to be even more terrible.

The people rattling breakfast plates early in the morning suggest the poverty of the people who have to go to work early. They are also living in the basements of houses for they cannot afford to live in better apartments. The very roads in those streets are trampled or torn. The speaker feels that the housemaids are down hearted and miserable. But for the city dwellers, the poor girls sprout out of nowhere at the gates of the city. The speaker then notices a set of several other images of poverty and dejection. He sees twisted faces of people who certainly have pain and distress. He sees a girl with tears in her eyes and a muddy skirt on her. Then someone passes by with an aimless smile. All these images are objective correlatives of poverty, which is the main theme of the poem.