?choreograph

choreograph發(fā)音

英：['k?r??ɡrɑ:f]　　美：['k?:r?rɡr?f]

英：　　美：

choreograph中文意思翻譯

v. 設(shè)計舞蹈動作, 精心編制

choreograph詞形變化

動詞現(xiàn)在分詞: choreographing | 動詞第三人稱單數(shù): choreographs | 動詞過去分詞: choreographed | 名詞: choreographer | 動詞過去式: choreographed |

choreograph常見例句

1 、Nice intergration dance!!!!!!Choreograph by Mellesa and Cellina in UMSKAL...───功夫,功夫舞,扇子,扇子舞,新春之夜,武術(shù),舞蹈,霍元甲

2 、And that badass dance she choreographed tonight.─── 還有她今晚編的那支精彩絕倫的舞蹈

3 、This is a tech rehearsal and I'm your choreographer.─── 這是個技術(shù)排練 而我是你的編舞

4 、She is looking for NEW people to choreograph for her and she also would like to pair with a new director...───她這次所合作的導(dǎo)演以及編舞將會是新班人馬。

5 、choreograph vi.───設(shè)計舞蹈動作

6 、What I would really like to do is to choreograph other people.It would be an exciting career.───我真正想做的是為別人設(shè)計舞蹈動作，這將是個令人興奮的職業(yè)。

7 、Choreograph a ballet.───為一出芭蕾舞劇設(shè)計舞蹈動作

8 、We get some crazy choreographer to do "modern" ballet.─── 我們要請什么編舞來編"現(xiàn)代"芭蕾舞

9 、Everyone is into it, but of course it's hard - to choreograph a new program in a week.───所有的人都玩得很開心。同時它非常有挑戰(zhàn)性。由于每周要創(chuàng)編一套新的節(jié)目，難度很大。

10 、On How to develop the Students'Ability of Choreograph in the Higher Normal School───培養(yǎng)高師音樂專業(yè)學(xué)生編舞能力的主要途徑

11 、For which computational problems can we choreograph this sort of interference, using fewer steps than it would take to solve the problem classically?───與古典方法相較，上述方法可以在解題時大幅減少計算的步驟數(shù)。然而哪些計算問題可以運(yùn)用這種干涉性質(zhì)編排處理呢？

12 、What I would really like to do is to choreograph other people.───跳舞有時是件煩人的事。我的舞蹈編導(dǎo)總是雕琢我，一心將我塑造成完美的舞蹈家。

13 、Ann Le: Who among the eligible skaters would you most like to choreograph for?───在現(xiàn)役選手中，你最想為誰作舞編呢？

14 、That wasn't an outburst, it was a carefully choreographed performance.─── 那才不是失態(tài) 那是精心設(shè)計的表演

15 、Did he choreograph his own fights or as it is in the film credit, there was someone to help him in the actions?───他編自己打架，或因為它是在影片中的信貸，但有人來幫助他的行動？

16 、The stunt performers have been taking advantage of the lighter weight to choreograph even faster moves.───更輕的光劍有助于特技表演者設(shè)計比以往更迅捷的打斗動作。

17 、And we can draft off of that, but it has to be a carefully choreographed dance.─── 我們可以由此來展開 但也必須精心編排

18 、Well, we want you to be our choreographer.─── 我們需要你幫我們設(shè)計舞蹈動作啊

19 、They choreograph their own dances.That is to say, the dolphins must communicate among themselves in advance in order to put on a synchronized performance.───牠們自己會編舞，也就是說，海豚必須自己事先相互溝通，這樣牠們的表演才能協(xié)調(diào)一致。

20 、You're the nicest choreographer in the business.─── 你是業(yè)界最友好的編舞導(dǎo)演

21 、The author explores the methods of improving the students' ability of choreograph in a limited time from the teaching contents, teaching progress and teaching methods.───如何在有限的教學(xué)時數(shù)內(nèi),完成教學(xué)任務(wù),并使學(xué)生的編舞能力得到培養(yǎng)和提高,就必須從教學(xué)內(nèi)容、教學(xué)進(jìn)度、教學(xué)方式等幾方面進(jìn)行了改革,要著眼于學(xué)生編舞能力的提高。

22 、With thousands of dollars in prize money at stake, it's no wonder participants take a full year to design costumes and choreograph routines, both of which are incredibly elaborate.───由于有數(shù)千美元作為獎勵，參與者常?；ㄙM(fèi)一整年的功夫來設(shè)計裝束和舞蹈動作，兩者都極為精美。

23 、On the Choreograph Artistry of the Mixed Pairs in Acrobatics Gymnatics───略談技巧混合雙人項目的編排藝術(shù)

24 、Every day, starting today, write the music, paint the picture, choreograph the dance.───從今天開始的每天譜寫音樂、作畫畫、編舞。

25 、He retired as a dancer in 1956 but continued to choreograph for various European companies.───1956年退出舞臺，但仍為好幾個歐洲舞團(tuán)編排或策畫芭蕾演出。

26 、For the dancers, there are small and large groups dancing.Basic dance steps are taught and choreograph by our dance instructor.───舞蹈團(tuán)分小組和大組, 舞蹈由老師負(fù)責(zé)設(shè)計和編舞.

27 、3.But the Democrats, smartly, are willing to choreograph a reconcilation in order to make sure that Mr Bush is left responsible for the mess in Iraq, not them.───精明的民主黨參議員們樂于精心策劃這樣一場和解，以確保是布什總統(tǒng)，而不是美國，對伊拉克的混亂局勢承擔(dān)責(zé)任。

28 、He said "Three Kingdoms" is "the best Chinese novel ever written."Hong Kong action star Sammo Hung, known for the U.S.TV series "Martial Law," will choreograph action sequences for Lee.───她的回答非常巧妙，她說所有的女性角色在這樣的男性**中都會有非常大的壓力，不過好在自己很幸運(yùn)，現(xiàn)在坐在身邊的人(指劉德華、洪金寶及導(dǎo)演)都會給予非常大的幫助。

29 、but my passion has always been to choreograph.─── 但我一直夢想成為一名編舞

30 、04:38 So whenever we're doing the choreograph for the fighting sequences, we just say, “Okay, later, you do this one...”───所以每當(dāng)我們設(shè)計打斗場景時，我們會說：“好的，然后，你做這個...”

31 、This was a show they had helped to choreograph, sometimes in minute detail.───這場演出是他們精心策劃的，每一絲小細(xì)節(jié)都經(jīng)細(xì)心處理。

32 、Figuring out how all these elements work together to choreograph gene expression is one of the central challenges facing biologists.───指明上述這些元件如何協(xié)同工作以調(diào)控基因表達(dá)，是生物學(xué)家面臨的核心挑戰(zhàn)之一。

33 、Because, you know, I think that I want to be a director/choreographer.─── 因為 說實(shí)話我覺得 我想既當(dāng)導(dǎo)員又當(dāng)舞蹈編導(dǎo)

34 、What I would really like to do is to choreograph other people.It would be an exciting career.But I shouldn't think too far into the future.───我真正想做的是為別人設(shè)計跳舞動作，這將是個令人興奮的職業(yè)。

35 、It's not jumping when it's choreographed, dude.─── 我在編舞 不是瞎跳 伙計

36 、What I be to rewhichley love to do is to choreograph otIT people.It be to be an exciting bikee noter.───我真正想做的是為更多有請致電設(shè)計舞蹈動作，這將是個令人興奮的事業(yè)。

37 、Why do you think Shen Wei was chosen to help choreograph for the 2008 Olympics as opposed to a more local modern dance company?───你對沈偉被邀請去幫助2008年奧林匹克運(yùn)動會開幕式編舞，而沒有找當(dāng)?shù)氐默F(xiàn)代舞團(tuán)，有什么看法？

38 、What I will really like to do is to choreograph otIT human.It will be an exciting care noter.───我真正想做的是為更多有聯(lián)系人設(shè)計舞蹈動作，這將是個令人興奮的事業(yè)。

英雄聯(lián)盟 戲命師 在游戲中會講的話

被選中

"In carnage, I bloom.... like a flowerin the dawn."

“在殺戮中,我終將綻放......就像黎明的花兒一樣?！?/p>

游戲登入

"Our performance begins."

“我們的表演，即將開始?！?/p>

"The stage is set."

“舞臺已經(jīng)搭建完成?！?/p>

"I suppose I must make do with thistawdry setting."

“我必須做這個兒庸俗的設(shè)置?！?/p>

"This stage is beneath my talent,but I shall elevate it."

“我曾經(jīng)駕馭不了這樣的舞臺，但是我升華了?！?/p>

"I will bring them an opera ofdeath."

“我將為他們帶來死亡的話劇?！?/p>

"And now, the curtain rises."

“而現(xiàn)在，舞臺開幕了?！?/p>

嘲諷（基本）

"You lack imagination."

“你缺少想象力?！?/p>

"I have elaborate plans for you."

“我為你精心制作了一份計劃?！?/p>

"Killing you will be one of my finestworks."

“終結(jié)你，將成為我最杰出的工作之一?！?/p>

"You aren't mediocrity. My genius willsupplant you."

“你并不是平庸的，因為我的才能覆蓋了你?！?/p>

"Only my actions will make youmemorable."

“我的表演將讓你難以忘記?！?/p>

"It hurts so good..."

“這傷痛是多么的好......”

攻擊時

"You will be poetry."

“你將充滿詩意?！?/p>

"You will be beautiful."

“你將變得美麗?！?/p>

"Watch my puppets dance."

“看看我的木偶舞蹈?！?/p>

"This is your curtain call."

“這是你的謝幕?！?/p>

"Your life had no value beforeme."

“你的人生對我沒有任何價值?！?/p>

"I feel inspired."

“我充滿靈感?！?/p>

"Art is worth the pain."

“這個痛苦對藝術(shù)是值得的?！?/p>

"Beauty is pain."

“痛苦是種美麗?！?/p>

"I will make you famous."

“我將讓你揚(yáng)名立萬?！?/p>

"You will perform."

“你將參加這演出。”

"This is my love."

“這就是我的愛。”

"Each bullet is a song."

“每一顆子彈是一首歌?！?/p>

"Each bullet will be a dance."

“每顆子彈都會跳舞?！?/p>

"How can we make this fresh?"

“我們怎么讓這兒變得清新呢。”

"Fabulous."

“棒極了?！?/p>

"Smiles, everyone, smiles!"

“微笑，各位，微笑起來！”

"Places, please!"

“請站在這兒！”

"Delightful!"

“愉悅！”

"Alright!"

“好吧！”

"Wonderful."

“精彩?！?/p>

"The composition needssomething."

“組合成我需要的東西?！?/p>

"Sublime."

“升華?！?/p>

"Transcendent."

“超然?！?/p>

"Divine"

“預(yù)言?！?/p>

"Darling."

“寶貝?！?/p>

"Precious."

“愛人?！?/p>

"Symmetry is so boring."

“讓人討厭的對稱感?！?/p>

"I've outdone myself this time."

“這個時候我必然不會落后?！?/p>

"When they find you, they willcry."

“當(dāng)他們發(fā)現(xiàn)你，他們將哭泣。”

"I will touch your heart."

“我將觸碰你的心。”

"They're gonna live, until theydie."

“他們會一直活著，直到死亡?！?/p>

"This is my calling."

“這是我的使命?！?/p>

"Places everyone, places!"

“位置朋友們，位置！”

"Shall we dance?"

“不來跳一場舞嗎？”

"Sing for me!"

“為我而唱！”

"I rehearsed this!"

“我排練過這個！”

"There is no drama in a peacefuldeath!"

“沒有話劇在寧靜的死中！”

"Dance for me."

“為我而舞。”

"Right. On. Cue."

“沒錯。在提示上。”

"Inspired."

“靈感?！?/p>

"The show never ends!"

“這表演永不結(jié)束！”

"How lovely!"

“多么可愛！”

"Center stage!"

“舞臺中心！”

"I couldn't miss yourperformance."

“我不會錯過你的表演?！?/p>

移動時

"The work is what matters."

“這工作是重要的?！?/p>

"Art requires a certain cruelty."

“藝術(shù)需要一定的殘酷?！?/p>

"The end is important in allthings."

“尾聲在任何事情上都很重要?！?/p>

"My audience awaits."

“我的觀眾在等待著我?！?/p>

"I must wait until a composition isperfect."

“我必須等待，直到每一個部分都是完美的?！?/p>

"They're puppets. I pull theirstrings, and then they dance."

“他們就是木偶。而我拉動他們弦，讓他們翩翩起舞。”

"My genius will be understood -eventually."

“我的天賦終將被理解——或許吧?！?/p>

"Art must exist beyond reason."

“藝術(shù)遠(yuǎn)超于任何理由。”

"They call me mad. All artists aremad."

“他們說我瘋了。然而所有的藝術(shù)家都是瘋子?！?/p>

"I will not suffer thisugliness."

“我將不會遭受這樣的丑陋?！?/p>

"I cannot be good. I must beperfection."

“我或許不是好的。但我必須是完美的。”

"Every element must be in place."

“每一個元件都必須到位?！?/p>

"I'm misunderstood. Beauty can't beevil."

“我誤解了。美麗不可能是罪惡的。”

"This performance needs more...zazz."

“這個表演需要更多......不。”

"It's so difficult to work under theseconditions."

“在這樣的條件下將變成非常困難的工作?！?/p>

"My talent justifies allactions."

“我的天賦可以解釋我所有的動作?！?/p>

"I am at my best only during theperformance."

“我最完美的時刻只存在于演出中?！?/p>

"I am pure. My work is pure."

“我是單純的。我的工作也是單純的?！?/p>

"My theater is the mind."

“我的劇場是在心里?！?/p>

"Art should terrify."

“藝術(shù)應(yīng)該充滿驚訝。”

"No poet's words could match mycraft."

“沒有詩人能描繪出我的手藝?！?/p>

"Death should never be quick. Itshould be an opera."

“死亡并不只是瞬間。它是一部戲劇。”

"I shall choreograph thisaffair."

“我精心編排了這故事?！?/p>

"What sweet sadness is killing?"

“什么樣甜蜜的悲傷，會讓人崩潰呢？”

"The world is cruel. It does not haveto be ugly."

“這世界是殘酷的。但它一定不是丑陋的?！?/p>

"Everyone wears a mask. I just choseto create my own."

“每個人都帶著面具。而我只是選擇創(chuàng)造了獨(dú)屬于我的?！?/p>

"This art is a compulsion. I cannotresist it."

“這樣的藝術(shù)是一種沖動。我無法拒絕它?！?/p>

"Perfection isn't good enough."

“僅僅是完美不能滿足我。”

"Behind every mask... is anothermask."

“每一個面具后......是另一個面具?！?/p>

"There is nothing for me butthis."

“除了這個，我都不在乎?！?/p>

"I never hurt anyone. It is theperformance that kills."

“我從未殺死任何人。這只是死亡藝術(shù)的體現(xiàn)?！?/p>

"Until they stop me, I will keepgoing."

“直到他們阻止我，我必然會持續(xù)下去?！?/p>

"I am a singer without a voice. Thedancer without legs."

“我就像一個沒有聲音的歌手。沒有腿的舞者?！?/p>

"Only to the audience do I show mytrue face."

“我只會給我的觀眾看我的真面目?！?/p>

"Each bullet is a piece of my soul.Each shot is a piece of me."

“每一顆子彈都是我的靈魂。每一個鏡頭都是我的一部分?！?/p>

"I swear each performance is the last,but I lie every time."

“我每一次都會發(fā)誓這是最后一場演出，然而我每一次都要欺騙我自己。”

"I am a slave to this passion."

“我就是這激情的附庸?！?/p>

"My work asks questions, it never hasanswers."

“每當(dāng)我的工作提出問題，卻永遠(yuǎn)沒有人給我答案?！?/p>

"Which is the lie? The mask, or myface?"

“哪一個是謊言？這面具？還是我的臉？”

"An icon doesn't have to explainhimself."

“畫像永遠(yuǎn)不會解釋他們自己?！?/p>

"I wonder what they think when theysee me."

“當(dāng)他們看到我的時，我不知道他們會怎么想?！?/p>

"Yes, the gun is ironic."

“是的，這把**充滿滑稽。”

"I like a violent composition."

“我喜歡暴力的情節(jié)。”

"This would be easier if blood came inmore colours."

“如果血液變成顏料，這將變得更加簡單。”

"Let's start the show."

“讓我們開始表演?！?/p>

"The ecstasy of opening night."

“開幕式的當(dāng)晚總是讓人著迷?！?/p>

"Smiles and screams, I bringboth."

“我將帶來微笑和尖叫?！?/p>

"If I keep getting interrupted, howcan I be expected to work?"

“如果我總是被打斷，那該如何完成我預(yù)期的工作？”

"I was paid to put on a killershow."

“我將上演一場殺人秀。”

"My clients expect the best."

“我的客戶對我的期望總是最強(qiáng)的?！?/p>

"They will dance, they will sing, theywill die!"

“他們將歌唱，他們將起舞，然后死亡！”

"A costume, some makeup, a spray ofblood."

“一件戲服，一些化妝，一些，血的噴霧?！?/p>

"It's very simple - when I shoot, theydance."

“這非常的簡單——我來射，他們跳?！?/p>

"My critics are... usuallyshort-lived."

“我的評論......通常都是短暫的?！?/p>

"If I get this outfit dirty, I'm goingto be so annoyed."

“如果我的這件衣服臟了，我將會非常生氣?！?/p>

"I serve a discerning clientele."

“我在為一個挑剔的客戶服務(wù)?！?/p>

"Death is certain, but killing doesn'thave to be ugly."

“死亡是肯定的，但它并不是丑陋的?！?/p>

"I provide catharsis for my clients,and my victims."

“我需要為我的顧客，和受害者們而宣泄?！?/p>

"I... orchestrate death."

“我......精心編排死亡?！?/p>

"I get nervous before everyperformance, but I need that feeling."

“我每次演出都會緊張，但我需求那種感覺?！?/p>

The moment before the shot... ispainful."

“在開**前的那一刻......是痛苦的?！?/p>

"It is only when the gun fires that Iam alive."

“只有當(dāng)**聲響起時，我才感覺我活著?！?/p>

"Mmm... the ecstasy of killing."

“姆......死亡的著迷感?！?/p>

"The trigger on a loaded weapon... itwhispers for us to act."

“這裝載在武器上的扳機(jī)......它在為了我們的藝術(shù)而低語。”

"I can't live without the euphoria ofperformance."

“我的人生不能離開表演的快感?！?/p>

"Happiness... is a warm gun."

“幸福......是一把溫暖的**?！?/p>

"I want to feel everything. The gunmakes it so I do."

“我想要感受任何事情。這把**正在使它成真，所以我使用它。”

"I envy silence... because I must beloud."

“我嫉妒沉默......因為我一定要響亮。”

"In carnage, I bloom.... like a flowerin the dawn."

“在殺戮中,我終將綻放......就像黎明的花兒一樣?！?/p>

"I have risen from the filth and muck.I am the lotus blossom. I am beauty."

“我出淤泥而不染。就像蓮花一樣，就像那樣的美麗?！?/p>

"That delightful moment before thecurtain goes up."

“在大幕上升之前的快樂時光?！?/p>

求POPPING的英文簡介。。

Popping is a dance style and one of the original funk styles of dance that came out of Fresno, CA in the 1970s. It is based on the technique of quickly contracting and relaxing muscles to cause a jerk in the dancer's body, referred to as a pop, tick or a hit. This is done continuously to the rhythm of a song in combination with various movements and poses. Popping is also used as an umbrella term to refer to a group of closely related illusionary dance styles and techniques that are often integrated with popping to create a more varied performance, but it is distinct from break-dancing, with which popping is often confused.

In the street dance competition Juste Debout, popping is one of the four main categories to compete in. The popping category generally centers around the technique of popping, but much variation involving closely related styles is allowed. A popping dancer is commonly referred to as a popper.

Like other styles of street dance, popping is often performed in a battle trying to outperform another dancer or group of dancers in front of a crowd. This gives room for improvisation and moves that are seldom seen in shows and performances (also referred to as freestyling). It also allows for interaction with the other contestants and spectators.

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* Terminology *

As stated earlier, popping has become an umbrella term for a group of closely related styles and techniques that have often been combined or danced together with popping, some of which are seldom seen outside of popping contexts. However, the use of popping as an umbrella term has been criticized on the grounds that its many related styles must be clearly separated so that those who specialize in more specific styles aren't classified as poppers (ex: a waver, a tutter, a strober).

It is often assumed that popping is a style of breakdance. This is due in large part to the movies Breakin' and Breakin 2: Electric Boogaloo. In these movies all styles of dance represented, (breaking and the funk styles: popping, locking, and electric boogaloo) were put under the "breakdance" label causing a naming confusion. This caused the media to associate funk styles with hip hop music and assume that popping and electric boogaloo were the same as breaking. The difference between the two is that breaking originated in the Bronx, New York and is danced on the floor while popping and electric boogaloo came out of Fresno, CA and are danced standing up.

Another term, pop-locking, gained popularity in the late 1970s and early 1980s in some circles around Los Angeles as a general slang term for popping and its integrated styles. The term is controversial because some believe it generates connotative confusion by incorporating the word locking which is the name of another distinct funk style that is separate from popping.

* Characteristics * 特點(diǎn)

Popping is centered around the technique of popping (or hitting), which means to quickly contract and relax muscles to create a jerking effect (a pop or hit) in the body. Popping can be concentrated to specific body parts creating variants such as arm pops, leg pops, chest pops and neck pops.[3] They also can vary in explosiveness. Stronger pops normally involve popping both the lower and upper body simultaneously.

Normally pops, or hits, are performed at regular intervals (the intervals can also be irregular if the dancer wants to avoid "the old one two", which refers to popping to the same beat continuously without any variation) intervals timed to the beat of the music, causing the dance to appear very rhythmic in nature. A common technique of transitioning between poses is the dime stop, heavily utilized in robot dancing, which basically means to end a movement with an abrupt halt (thus "stopping on a dime"), after which a pop normally occurs.

Poses in popping make heavy use of angles, mime style movements and facial expressions. The lower body has many ways to move around from basic walking and stepping to the more complex and gravity defying styles of floating and electric boogaloo. Movements and techniques used in popping are generally focused on sharp contrasts, being either robotic and rigid or very loose and flowing.

As opposed to breaking and its floor-oriented moves, popping is almost always performed standing up, except in rare cases when the dancer goes down on the knees or even lies down for a short while to perform a special move.

* Music * 音樂

Having its roots in the late 1970s funk music era, popping is commonly danced to funk and disco. During the 1980s, many poppers also utilized “electro” and other “new wave” styles to choreograph their popping routines. Popular artists utilized by poppers included Kraftwerk, Twighlight 22, Egyptian Lover, and World Class Wrecking Crew. More mainstream Rap was also employed by poppers during the 1980s, including Kurtis Blow, Whodini, and Run DMC. Today, it is also common to see popping danced to more current music genres such as modern hip hop music (often instrumental hip hop) and various forms of electronica.

Songs that are generally favored have a straight and steady beat at around 90-120 beats per minute, a 4/4 time signature and a strong emphasis on the back beat, normally by a snare drum or a drum machine. The pops performed by the popper normally occur on every beat or on the distinct back beats. The popper can also choose to follow the music more freely such as by timing the pops to the rhythm of a melody or other rhythmic elements.